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The first of these, with ten syllables, [b] has an uncontroversial masculine ending: the stressed syllable more. The last line, with eleven syllables, has an uncontroversial feminine ending: the stressless syllable me. The second and third lines end in two stressless syllables (-tri-us, on you). Having ten syllables, they are structurally ...
(cleaver, silver, or pitter, patter; the final syllable of the words bottle and fiddle is /l/, a liquid consonant.) imperfect (or near): a rhyme between a stressed and an unstressed syllable. (wing, caring) weak (or unaccented): a rhyme between two sets of one or more unstressed syllables.
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
long tilt — the first two syllables of a trisyllabic word, where the first syllable is accented in ordinary speech; reverse tilt — an unaccented stress followed by an accented depression (non-stress) (thereby falling across two iambic feet) the main variety of which is the:
French words are sometimes said to be stressed on the final syllable, but that can be attributed to the prosodic stress, which is placed on the last syllable (unless it is a schwa in which case the stress is placed on the second-last syllable) of any string of words in that language. Thus, it is on the last syllable of a word analyzed in isolation.
Most typically, extrametricality affects one specified segment or prosodic unit (mora, syllable, etc.) at the edge of a word (usually the end). Final-segment or final-mora extrametricality can be invoked to account for the phenomenon that word-final syllables often count as "lighter" than other syllables of the same rime type for purposes of ...
However, because of contradictions in the original definitions, writers use these words in different ways. In music, arsis is an unaccented note , while the thesis is the downbeat. [3] However, in discussions of Latin and modern poetry the word arsis is generally used to mean the stressed syllable of the foot, that is, the ictus. [4]
In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase.However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. [1]