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Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
Light rhyme designates a weakened, or unaccented, rhyme that pairs a stressed final syllable with an unstressed one. [1] [2] A rhyme of this kind is also referred to as a wrenched rhyme since the pronunciation of the unstressed syllable is forced into conformity with the stressed syllable of its rhyme mate (eternity/free). [3]
The first of these, with ten syllables, [b] has an uncontroversial masculine ending: the stressed syllable more. The last line, with eleven syllables, has an uncontroversial feminine ending: the stressless syllable me. The second and third lines end in two stressless syllables (-tri-us, on you). Having ten syllables, they are structurally ...
French words are sometimes said to be stressed on the final syllable, but that can be attributed to the prosodic stress, which is placed on the last syllable (unless it is a schwa in which case the stress is placed on the second-last syllable) of any string of words in that language. Thus, it is on the last syllable of a word analyzed in isolation.
Stress is often reinforced by allophonic vowel length, especially when it is lexical. For example, French long vowels are always in stressed syllables. Finnish, a language with two phonemic lengths, indicates the stress by adding allophonic length, which gives four distinctive lengths and five physical lengths: short and long stressed vowels, short and long unstressed vowels, and a half-long ...
A line may have more than one caesura, or none at all. If near the beginning of the line, it is called the initial caesura; near the middle, medial; near the end, terminal. An accented or masculine caesura follows an accented syllable, an unaccented or feminine caesura an unaccented syllable. The caesura is used in two essentially contrary ways ...
it is the final syllable in a line of verse i.e. brevis in longo, under that hypothesis. Otherwise syllables are counted as short. Syllables ending in a vowel are called open syllables, and those ending in a consonant are called closed syllables. Long syllables are sometimes called heavy and short ones light. Consonants preceding the vowel do ...
(cleaver, silver, or pitter, patter; the final syllable of the words bottle and fiddle is /l/, a liquid consonant.) imperfect (or near): a rhyme between a stressed and an unstressed syllable. (wing, caring) weak (or unaccented): a rhyme between two sets of one or more unstressed syllables.