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Poetic devices that have a sonic quality achieve specific effects when heard. Words with a sound-like quality can strike readers as soothing or dissonant while evoking certain thoughts and feelings associated with them. Alliteration–Repeated consonant sounds at the beginning of words placed near each other, usually on the same or adjacent ...
The Sound Pattern of English (frequently referred to as SPE) is a 1968 work on phonology (a branch of linguistics) by Noam Chomsky and Morris Halle. In spite of its title, it presents not only a view of the phonology of English, but also discussions of a large variety of phonological phenomena of many other languages. The index lists about 100 ...
Most commonly, the change is a result of sound assimilation with an adjacent sound of opposite voicing, but it can also occur word-finally or in contact with a specific vowel. For example, the English suffix -s is pronounced [s] when it follows a voiceless phoneme (cats), and [z] when it follows a voiced phoneme (dogs). [1]
English orthography comprises the set of rules used when writing the English language, [1] [2] allowing readers and writers to associate written graphemes with the sounds of spoken English, as well as other features of the language. [3] English's orthography includes norms for spelling, hyphenation, capitalisation, word breaks, emphasis, and ...
Aperiodic sound sources are the turbulent noise of fricative consonants and the short-noise burst of plosive releases produced in the oral cavity. Voicing is a common period sound source in spoken language and is related to how closely the vocal cords are placed together. In English there are only two possibilities, voiced and unvoiced. Voicing ...
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Sonnets are particularly associated with high poetic diction, vivid imagery, and romantic love, largely due to the influence of Petrarch as well as of early English practitioners such as Edmund Spenser (who gave his name to the Spenserian sonnet), Michael Drayton, and Shakespeare, whose sonnets are among the most famous in English poetry, with ...
Old English did possess a voiced velar fricative sound [ɣ], which developed from Proto-Germanic *ɡ, but [ɣ] is usually analyzed as a separate phoneme from /x/: the sounds were normally distinguished in spelling, with [ɣ] written as g and /x/ as h , although some unetymological interchange of these spellings occurs, especially in word-final ...