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Uncompressed video is digital video that either has never been compressed or was generated by decompressing previously compressed digital video. It is commonly used by video cameras, video monitors, video recording devices (including general-purpose computers), and in video processors that perform functions such as image resizing, image rotation, deinterlacing, and text and graphics overlay.
First short film produced in China with 8K 48 fps [25] 2019: Gemini Man: Ang Lee: English: 120: DVD and Blu-ray rendered at 24 fps. Blu-ray 4K UHD rendered at 60 fps. [26] [27] 2022: Avatar: The Way of Water: James Cameron: 48: Shot entirely at 48 fps. 24 fps scenes achieved by doubling frames. The HFR presentation is available on Apple Vision ...
This transmission of 4K HEVC video in real-time was an industry-first. [87] On November 14, 2013, DivX developers released information on HEVC decoding performance using an Intel i7 CPU at 3.5 GHz which had 4 cores and 8 threads. [88] The DivX 10.1 Beta decoder was capable of 210.9 fps at 720p, 101.5 fps at 1080p, and 29.6 fps at 4K. [88]
In November 2013, YouTube began to use the VP9 video compression standard, saying that it was more suitable for 4K than High Efficiency Video Coding (HEVC). Google, which owns YouTube, developed VP9. [77] Theaters began projecting movies at 4K resolution in 2011. [79] Sony was offering 4K projectors as early as 2004. [80]
Frame rate, most commonly expressed in frame/s, frames per second or FPS, is typically the frequency (rate) at which consecutive images are captured or displayed. This definition applies to film and video cameras , computer animation , and motion capture systems.
GoPro HERO3+ Black Edition (slim) - , 4K (15 fps) and DCI 4K (12 fps), fixed "Ultra Wide" field of view; GoPro HERO4 (2015) - 4k at up to 30fps (black edition) GoPro HERO5 (2016) - 4k at up to 30fps (black edition) and added a USB-C Port and Touchscreen; GoPro HERO6 (2017) - 4k at up to 60fps (black edition) and improved EIS (Electronic Image ...
The HEVC standard defines thirteen levels. [1] [2] A level is a set of constraints for a bitstream.[1] [2] For levels below level 4 only the Main tier is allowed.[1] [2] A decoder that conforms to a given tier/level is required to be capable of decoding all bitstreams that are encoded for that tier/level and for all lower tiers/levels.
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.