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The Osu caste system is a traditional practice in Igboland, characterized by social segregation and restrictions on interaction and marriage with a group of individuals known as Osu (Igbo: outcast). [ 1 ] [ 2 ] The Osu individuals historically were marginalized by the Igbo deities ( Alusi ), and as a result, they are often perceived as inferior ...
Obinna, in 2012, reports that in the Igbo community – in Enugu and Delta states, and most especially in Anambra and Imo states – Osu caste system remains a social issue. The Osu caste is determined by one's birth into a particular family irrespective of the religion practised by the individual. Once born into the Osu caste, this Nigerian ...
The same community that may use one set of instruments tuned to a certain scale (i.e. pentatonic), can use a different scale for a different set of instruments, or song type (i.e. heptatonic). [2] [3] [4] In traditional African music, scales are practised and thought of as descending from top to bottom. African harmony is based on the scales ...
The music of West Africa must be considered under two main headings: in its northernmost and westernmost parts, many of the above-mentioned transnational sub-Saharan ethnic influences are found among the Hausa, the Fulani, the Wolof people, the Mande speakers of Mali, Senegal and Mauritania, the Gur-speaking peoples of Mali, Burkina Faso and ...
I can't even fathom starting this response with the phrase "with all due respect". As a personal victim of the caste system who has permanently been in self-imposed exile for more than 30 years, the mere fact that this wikipedia article refers to the Osu Caste system in the past tense, is highly offensive.
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
The autograph of the piano part contains sketches of an African scene. Africa is scored for solo piano and an orchestra consisting of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 cornets, 3 trombones, timpani, triangle, cymbals, and strings. [13] Saint-Saëns also made arrangements of the piece for two pianos and for piano solo. [4]
Simon Roberts and Michael Palmer made a description of the Kgatla society, a sub-group of the Tswana people, in their book "Dispute Processes: ADR and the Primary Forms of Decision-Making", where they notice the conical (or pyramidal, as they say) shape of Tswana societies: "The link between the chief and the senior man in each ward is ideally ...