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The introduction of the ship mill and tide mill in the 6th century, both of which yet unattested for the ancient period, [6] allowed for a flexible response to the changing water-level of rivers and the Atlantic Ocean, thus demonstrating the technological innovativeness of early medieval watermillers.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
A tide mill is a water mill driven by tidal rise and fall. A dam with a sluice is created across a suitable tidal inlet, or a section of river estuary is made into a reservoir . As the tide comes in, it enters the mill pond through a one-way gate, and this gate closes automatically when the tide begins to fall.
The sails from the windmill were taken to Pluckley windmill when Kennington mills closed. The windmill was an empty shell by the 1930s [ 35 ] and was demolished in 1952. [ 36 ] The windmill was connected by a footbridge to the watermill building and the steam mill building was attached to the windmill base, which survives today.
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
A medieval carving of a symphonia player from Beverley Minster. Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite.