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The market for wood type was apparently limited and most businesses had side-lines as dealers in other printers' equipment, or making other wooden goods. [57] One of the larger firms until the 1880s was the company of William H. Page, near Norwich, Connecticut. Wood type competed with lithography and stencils in the market for display typography.
This category contains actual type faces that were made from wood for letterpress printing, as opposed to type that has been cast in metal, or fonts made available for Photocomposition or Digitally. Pages in category "Wood typefaces"
Some aspects of the alphabet are geometric: the letter O is a nearly perfect circle and the 'M', unlike Roman capitals (but like Caslon) straight-sided. [7] As with most serif fonts, the 'g' is a 'two-storey' design. The 'l' copies the curl of the 't' and produces a rather wide letter compared to most sans-serif fonts. [8]
The OpenDocument format (ISO/IEC 26300:2006) and Rich Text Format can use it to specify the sans-serif generic typeface ("font family") name for the font files used in a document. [ 102 ] [ 103 ] [ 104 ] Presumably refers to the popularity of sans-serif grotesque and neo-grotesque types in Switzerland.
Before Gutenberg, scribes copied books by hand on scrolls and paper, or print-makers printed texts from hand-carved wooden blocks. Either process took a long time; even a small book could take months to complete. Because carved letters or blocks were flimsy and the wood susceptible to ink, the blocks had a limited lifespan. [citation needed]
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