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The music video was directed by Anthony Mandler [2] and filmed on July 31, 2010. [12] A sneak peek to the music video was released August 16, 2010. [13] The video provides dark, carnival-esque visuals to this club record. Trey commented on the music video in an interview with MTV stating, “‘Bottoms Up,’ I feel, is a very creative video ...
"Bottoms Up" is a song recorded by American country rock singer Brantley Gilbert. It is the first single from his third studio album Just as I Am, and was released on December 16, 2013. [1] [2] The song was written by Gilbert, Justin Weaver and Brett James. A remix featuring Atlanta-based rapper T.I., was included on the reissue of Just as I Am ...
"U Was at the Club (Bottoms Up)" is a song by American rapper The Boyboy West Coast. First previewed in September 2018, it went viral in early 2019 via the video-sharing app TikTok , following which it was released on April 19, 2019, as his debut single.
The colors of Easter are pastels that bring to mind the sights and smells of spring,” says Diana Hathaway, an interior designer and color expert. “Easter pastel colors have a charming, candy ...
"Bottoms Up" (Brantley Gilbert song), 2013 "Bottoms Up" (Middle of the Road song), song by Scottish band Middle of the Road, 1972 "Bottoms Up" (Nickelback song) from Nickelback's album Here and Now "Bottoms Up" (Trey Songz song), 2010 "U Was at the Club (Bottoms Up)", song by The BoyBoy West Coast "Bottoms Up", a song by Keke Palmer from her ...
Harry Styles dropped a music video for his "Harry's House" hit "Satellite" on May 3. Here's what the lyrics behind the bop might mean.
"Bottoms Up" is a song by Scottish band Middle of the Road, released as a single in September 1972. [1] It failed to chart in the UK, but continued the band's success in Europe, becoming a top-ten hit in several countries. Unlike the version on many CD compilations, the single version has no bagpipes in the intro.
"Bottoms Up" is a single by Canadian rock band Nickelback as the second single from their seventh studio album, Here and Now. A Billboard review of the song said that it was a "surprising return to [...] bawdy arena rock," but that it was also "amazingly monolithic" and "lack[ed] the slick melodies of the group's past hits."