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Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [4]
This list may not reflect recent changes. ... Moretti and Sorrento; C. Caprice No. 5 (Paganini) Caprice No. 13 (Paganini) Caprice No. 16 (Paganini)
In the Soviet 1982 miniseries Niccolo Paganini, the musician was portrayed by the Armenian actor Vladimir Msryan. The series focuses on Paganini's relationship with the Roman Catholic Church. Another Soviet actor, Armen Dzhigarkhanyan, played Paganini's fictionalized arch-rival, an insidious Jesuit official. The information in the series is ...
Gregor Piatigorsky – Variations on a Paganini Theme, for cello and orchestra (1946), later arranged for cello and piano; Simon Proctor – Paganini Metamorphasis, for solo piano; Frank Proto – Capriccio di Niccolo for Trumpet and Orchestra (1994). Nine Variants on Paganini for Double Bass and Orchestra, also for Double Bass and Piano (2001).
Nicolo Paganini: His Life and Work. London: E. Shore & Co. ISBN 0-559-80636-1. Philippe Borer, The Twenty-Four Caprices of Niccolò Paganini. Their significance for the history of violin playing and the music of the Romantic era, Stiftung Zentralstelle der Studentenschaft der Universität Zürich, Zurich, 1997
Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. Paganini is said to have been able to play it on one string, but there is no evidence to support or refute this. [1]
Moretti and Sorrento refers to a thematic catalogue of the works of Niccolò Paganini. The catalogue was commissioned in 1982 by the city of Genoa in celebration of the bicentenary of Paganini's birth. [1] It was edited by Maria Rosa Moretti and Anna Sorrento, hence the abbreviation "MS" is assigned to Paganini's catalogued works. [1]
The tempo marking here means "brisk and majestic". The movement modulates from D minor → F major → A minor → D minor → D major. The first movement begins with a powerful Beethoven-esque theme with striking similarity to the third movement of Vivaldi's Violin Concerto No. 6 consisting of a six-note melody, played by the viola and violin sections, punctuated by strong and syncopated ...