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Art therapy is a form of therapy that uses artistic activities such as painting, sculpture, sketching, and other crafts to allow people to express their emotions and find meaning in that art to find trauma and ways to experience healing. Studies have shown that creating art can serve as a method of short-term mood regulation.
These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on the painting show that Gentileschi made several alterations to the painting (e.g. the position of both Judith's arms and the drapery) before it reached its current state. [5]
Symbolist painting advocated memory composition as opposed to the à plein air painting advocated by Impressionism. [2] One of its essential features was the line, in sinuous contours of organic appearance, a fluid and dynamic, stylized line, in which representation passes from naturalism to analogy.
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
The Scream (Norwegian: Skrik) is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch.
Le bonheur de vivre (The Joy of Life) is a painting by Henri Matisse.Along with Picasso's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. [1]
Leonardo da Vinci's Last Supper fresco was a significant influence on Rubens who created an etching after the Da Vinci Last Supper, which was one of Rubens' first attempts to express the full range of human emotion printed by Pieter Soutman. Rubens was also influenced by his humanist ideals from which he extracts biblical themes.
They Did Not Expect Him is a painting by realist artist Ilya Repin made between 1884 and 1888. It depicts the return of a narodnik from exile and his family's reaction. The painting is part of Repin's "Narodniki" series, which includes four other artworks. Repin began working on early versions of the canvas in 1884, at his country house in ...