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Scott Joplin (November 24, 1868 – April 1, 1917) was an American composer and pianist. Dubbed the "King of Ragtime", [1] he composed more than 40 ragtime pieces, [2] one ragtime ballet, and two operas.
Scott Joplin was born in Arkansas in around 1867, just outside Texarkana, and was a street performer before settling in Sedalia, Missouri, St. Louis, Missouri, and finally New York City where he died in 1917.
The Scott Joplin House State Historic Site is located at 2658 Delmar Boulevard in St. Louis, Missouri. It preserves the Scott Joplin Residence , the home of composer Scott Joplin from 1901 to 1903. The house and its surroundings are maintained by the Missouri Department of Natural Resources as a state historic site .
The cover of the Treemonisha score, published in 1911. Treemonisha (1911) is an opera by American ragtime composer Scott Joplin.It is sometimes referred to as a "ragtime opera", though Joplin did not refer to it as such and it encompasses a wide range of musical styles. [1]
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
Scott Joplin is a 1977 biographical film directed by Jeremy Kagan and based on the life of African-American composer and pianist Scott Joplin. It stars Billy Dee Williams and Clifton Davis. Its script won an award from the Writers Guild of America in 1979. [2] Eubie Blake makes an appearance in the movie.
Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer". Ragtime influenced early jazz , [ 3 ] Harlem stride piano , Piedmont blues , and European classical composers such as Erik Satie , Claude Debussy , and Igor Stravinsky .
Beginning of "Solace" Though Joplin labeled the piece "a Mexican Serenade", [2] [3] its origins are more probably Cuban, [4] [5] and it is considered to have a habanera (and tango [4] [5]) rhythm in three of the four strains [note 1] [6] – something unique for a work by Joplin, [5] [6] although a brief habanera bass did appear in his previous composition of that year, "Wall Street Rag".