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Monoprinting and monotyping are similar but not identical. Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In monoprinting, an artist creates a reusable template of the intended image. Templates may include stencils, metal plates and flat stones.
Ambiguity effect; Assembly bonus effect; Audience effect; Baader–Meinhof effect; Barnum effect; Bezold effect; Birthday-number effect; Boomerang effect; Bouba/kiki effect
"Masking" is the act of concealing one's true personality, as if behind a metaphorical, physical mask. In psychology and sociology, masking, also known as social camouflaging, is a defensive behavior in which an individual conceals their natural personality or behavior in response to social pressure, abuse, or harassment.
As a result of frequency illusion, once the consumer notices the product, they start paying more attention to it. Frequently noticing this product on social media, in conversations, and in real life leads them to believe that the product is more popular – or in more frequent use – than it actually is. [22]
A girl comes home one afternoon and falls asleep. In a dream she sees herself returning home, tortured by loneliness and frustration and impulsively committing suicide. The story has a double climax, in which it appears that the imagined, the dream, has become real.” [9] Deren uses specific cinematic devices in this film to convey deeper meaning.
A real life example of memory implantation occurred during the criminal case against Paul Ingram. Ingram was accused by his daughters of recurring sexual abuse in their childhood. Ingram denied all allegations at first but after being interviewed by police and therapists he came to remember multiple instances of abuse.
The American Freudian Karl Menninger - building on Franz Alexander's concept of the totalizing transference interpretation, which linked past experience, life context and the analytic setting – set out what he called the triangle of insight, [3] involving the three poles of analyst, past significant others, and present significant others ...
In the philosophy of mind, neuroscience, and cognitive science, a mental image is an experience that, on most occasions, significantly resembles the experience of "perceiving" some object, event, or scene but occurs when the relevant object, event, or scene is not actually present to the senses.