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A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
The bib apron's humble beginnings began when people used scraps of fabric to make a bib-like covering that slipped over the neck and tied at the back. [1] The bib apron's intuitive design and full coverage have made it a popular apron for tradesmen and people in low-economic classes since the 1880s—and maybe even earlier.
Prairie skirts are a staple of women's western wear, and very full prairie skirts are worn for square dancing. Prairie dresses are often worn by women who attend Christian churches that emphasize the practice of plain dress (as with the Bruderhof Communities) or the doctrine of outward holiness (as with the Allegheny Wesleyan Methodist Connection).
German painting of the Last Supper in contemporary dress shows a table servant wearing pluderhosen with full, drooping linings, 1565. Dutch vegetable seller wears a black partlet, a front-lacing brown gown over a pink kirtle with matching sleeves, and a gray apron. Her collar has a narrow ruffle, and she wears a coif or cap under a straw hat, 1567.
Portrait of a woman wearing a heavily ruffled cap, 1789 Mechanical ruffler by Singer, used on domestic sewing machines. In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.
Women's folk costume in this area is diverse and flamboyant. It consists of a wide embroidered shirt with ruffled sleeves, a skirt, a front and back apron, a fir and a libada decorated with shawl, knee-length socks embroidered with wool with geometric figures and a belt. The aprons are vividly embroidered, richly decorated with gold embroidery ...
Jeronimus Tonneman and his son wear collarless coats with deep cuffs and matching waistcoats, worn with breeches, ruffled shirts, silk stockings, and buckled shoes. The young man wears a bag wig and solitaire, 1736. Philippe Coypel wears a red waistcoat trimmed with gold lace under a plain brown coat. His shirt has lace ruffles.
His shirt has full sleeves gathered at the wrists with ruffles, 1756. Man's fitted double-breasted banyan , an at-home gown or informal coat, made in the Netherlands of Chinese silk, 1750–60. Suit of 1761 features a dark blue coat and waistcoat with fine embroidery on the edges, deep cuffs, and pocket flaps.