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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
Neo-Victorian – Aesthetic movement; Pteridomania – Popular craze in late nineteenth-century United Kingdom; Staffordshire dog figurine – Matching pottery pieces; Hand cooler – egg-shaped item originally made of porcelain, marble, glass or crystal, cooled and carried in the hand
To capture this trend, layer bold wallpapers, use metallic accents, and incorporate a mix of textures to add depth and personality." —Kara Childress of Kara Childress, Inc.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Lucienne's partnership with the German company Rasch, who promoted her wallpapers as part of their international artists' range, gave her access to a European audience. Printed in just one or two colours with a deliberately restricted palette, her wallpaper designs were quieter and more recessive than her textiles, with smaller motifs and ...
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Don't Look Now. Julie Christie and Donald Sutherland star as a married couple who, while mourning the recent death of their child, flee to Venice, Italy.
During his studies, he became friends with Armand Rassenfosse, a future painter, draughtsman and engraver. In 1884, Gustave Serrurier married Maria Bovy who worked as a saleswoman in the artwork store of Armand Rassenfosse's parents. The couple's only daughter was born in 1885.