Search results
Results From The WOW.Com Content Network
The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
In Rite of Spring, the stage is covered in dirt, In Vollomont (Full Moon), there is a large boulder on the stage with buckets of water as props, and in Nelken (Carnations), the stage is covered in carnations. The set pieces were often used as obstacles to challenge the dancers and enhance the emotion aspect of their performance.
Pina is a 2011 German 3D documentary film directed by Wim Wenders [2] that is about German dancer and choreographer Pina Bausch. [3] On 30 June 2009, during the preparation for the film, Bausch died unexpectedly, so Wenders cancelled the project, but the dancers of Bausch's company, Tanztheater Wuppertal, convinced him to proceed as planned, as a way of memorializing Bausch and some of her ...
This page was last edited on 7 February 2024, at 20:14 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées. It was presented by Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux. The list includes many of the most noted ...
Raimund Hoghe (12 May 1949 – 14 May 2021) was a German choreographer, dancer, film maker, journalist, and author. Because he was born with scoliosis, his early efforts were focused on journalism.
Piña Colada Cake Is a Treat for Any Spring Break Staycation. Leah Perez. March 13, 2024 at 3:10 PM. Imagine lounging in the sand with palm trees swaying as you take a big bite of piña colada cake.
In spring 1913, the ballet was performed in Vienna, where it again had a cool reception, though not so bad as Petrushka, which the orchestra of the Vienna Opera House initially refused to play because they disliked the music. [25] The company returned to London, where the response was completely different and both ballets were well-received.