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Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was a Moravian-Jewish violinist, violist and composer. He was seen as the outstanding violinist of his time and one of Niccolò Paganini 's greatest successors.
Heinrich Wilhelm Ernst (1812–1865) Le carnaval de Venise (for Violin) Félix Godefroid Carnaval de Venise pour harpe; Elgar Howarth: The Carnival of Venice Variations (for Brass Ensemble) Adrien-François Servais: Fantaisie Burlesque sur le Carnaval de Venise, op. 9 (for cello) Paul Jeanjean (1874–1928): Venice Carnival (for clarinet)
This is a non-diffusing subcategory of Category:18th-century German musicians. It includes German musicians that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:18th-century German women musicians
Furtwängler in 1912. Gustav Heinrich Ernst Martin Wilhelm Furtwängler (UK: / ˈ f ʊər t v ɛ ŋ ɡ l ər / FOORT-veng-glər, US: /-v ɛ ŋ l ər /-lər, German: [ˈvɪlhɛlm ˈfʊɐ̯tvɛŋlɐ] ⓘ; 25 January 1886 – 30 November 1954) was a German conductor and composer.
Portal:Classical music/Quotes/13 And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
Ernst Heinrich "Teddy" Stauffer (2 May 1909 – 27 August 1991) was a Swiss bandleader, musician, actor, nightclub owner, and restaurateur. He was dubbed Germany's " swing -king" of the 1930s. He formed the band known as the Teddies (also known as the Original Teddies or the International Teddies), which continued after he left in 1941.
Heinrich Ernst Grosmann (1732–1811) was a Danish composer. He is best known for his work with Aarhus Cathedral . Notable works include Paaske Music (1775) and Cantata Paa Christi Himmelfarts Dag.
Pyotr Ilyich Tchaikovsky also quotes the tune in act 1 of his ballet The Nutcracker (1892). It appears at the end of the Christmas party. It appears at the end of the Christmas party. Tchaikovsky was a great admirer of Schumann's music, but it is not clear whether this was meant as some sort of tribute to Schumann or simply as an appropriate ...