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Inferno: Blank verse: First translation of a full cantica into English. Initially published anonymously [17] 1785–1802: Henry Boyd: United Kingdom C. Dilly: Comedy i.e. all three parts: Rhymed 6-line stanzas: First full translation of the Divine Comedy in English 1805–1814: Henry Francis Cary: United Kingdom James Carpenter Comedy: Blank verse
Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil.
Boyd published a translation of Dante's 'Inferno' in English verse, the first of its kind, with a specimen of the 'Orlando Furioso' of Ariosto, 1785. It was printed by subscription, and dedicated to the Earl of Bristol, bishop of Derry. The dedication is dated from Killeigh, near Tullamore, of which place presumably Boyd was incumbent. In 1796 ...
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
The couple's Inferno, Purgatorio, and Paradiso were released in 2000, 2003, and 2007 respectively. The translation was critically acclaimed, with novelist Tim Parks calling their Inferno “the finest of them all” [6] and critic Joan Acocella calling their entire Comedy “the best on the market.” Robert's notes to the translation were ...
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" Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno. The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it. Modern commentators on the Inferno view it as some kind of demonic invocation to Satan. [1] [2]