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Conversely, the same lens can produce different fields of view when mounted on different cameras. For example, a 35 mm lens mounted on a full-frame Canon EOS 5D provides a slightly wide-angle view, while the same lens mounted on an APS-C Canon EOS 400D provides a "normal" or slightly telephoto view.
Pages in category "Full-frame mirrorless interchangeable lens cameras" The following 37 pages are in this category, out of 37 total. This list may not reflect recent changes .
Lens mounts Focal length [a] Aperture OIS Weight Length Release year Availability Wide Tele Wide Tele Sony 28-70mm F2 E: 28mm 70mm f / 2.0 f / 2.0 No 918g 140mm 2024 Current: Canon 28-70mm F2 RF: 28mm 70mm f / 2.0 f / 2.0 No 1430g 140mm 2018 Current: Canon 24-105mm F2.8 RF: 24mm 105mm f / 2.8 f / 2.8 Yes 1330g 199mm 2023 Current: Sony 24-70mm ...
Full frame: 24.4 F-mount: 100 1005 51 50 6400 5 3 yes no CF (2x) 160x157x88 1220 Dec 2008: Nikon: D3S: Full frame: 12.1 F-mount: 100 1005 51 100 102400 9 3 yes yes CF (2x) 160x157x88 1246 Oct 2009: Nikon: D850: Full frame: 45.7 F-mount: 100 180000 153 64 25600 7: 3.2 yes yes CF + XQD: 146x124x79 1005 Oct 2017: Nikon: D810: Full frame: 36.3 F ...
The Canon EF 28–90mm f / 4–5.6 is a full frame SLR zoom lens, also often included as a kit lens with Canon EOS film cameras. The maximum aperture is f / 4 at 28mm, reducing to f / 5.6 at 90mm. When set to 90mm, this will create a moderate amount of background blur for portrait photography.
For example, a 24 mm lens on a camera with a crop factor of 1.5 has a 62° diagonal angle of view, the same as that of a 36 mm lens on a 35 mm film camera. On a full-frame digital camera, the 24 mm lens has the same 84° angle of view as it would on a 35 mm film camera.