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The shipwreck was transformative for Scaling who went on to write a popular account of the incident called Albatross: The True Story of a Woman's Survival at Sea (1994) which was made into a TV film, Two Came Back; and profiled in the episode "Shark Survivor" on the Discovery channel series I Shouldn't Be Alive (Ep. 1, Se. 1, 2005-08-10); and ...
Capsized: Blood in the Water is an American biographical natural horror-survival film, based on a true story from 1982. Roel Reiné directed the film, from a script written by Stephen David, with the story co-written by David, Tim K. Kelly and Jonathan Soule. The film plot centers around a small boat crew aboard a private yacht who are stranded ...
This idea had been developed by Benchley since he had read a news report of a fisherman catching a 4550-pound (2060 kg) great white shark off the coast of Long Island in 1964. The shark novel eventually attracted Doubleday editor Thomas Congdon, who offered Benchley an advance of $1,000 resulting in the novelist submitting the first 100 pages ...
You could call her a professional mermaid of sorts. One woman risked her life to swim with some of the most dangerous sea creatures in the world. Dressed in only a tiny costume with no diving gear ...
A Bay Area photographer captures juvenile white sharks "smiling" in the warm waters of Monterey Bay.
David Diley is a thirty-two-year-old man, trapped in a dead end job in England's industrial north and his life is going nowhere. The film follows David as he leaves this life behind to travel to Fiji and tell the story of Shark Reef in Fiji, [2] a reef which fifteen years earlier had been completely fished out, left devoid of life, only to be completely regenerated by the return of sharks.
Feeling sympathy for the Cap since people called him crazy, Alex says that they can find the real shark. Alex and Cap go together to kill the shark. While searching for and even encountering the shark itself (a 7.5 ft (2.3 m) juvenile great white), Cap and Alex meet with Schleisser, who has a net under his small boat to capture the shark.
From “42nd Street” onwards, backstage stories were once a staple in the theater, and while there was often a shark or two, they were usually only of the loan variety. But in the West End play ...