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Paralanguage, also known as vocalics, is a component of meta-communication that may modify meaning, give nuanced meaning, or convey emotion, by using techniques such as prosody, pitch, volume, intonation, etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously.
The changes in the carrier signal are chosen from a finite number of M alternative symbols (the modulation alphabet). Schematic of 4 baud, 8 bit/s data link containing arbitrarily chosen values. A simple example: A telephone line is designed for transferring audible sounds, for example, tones, and not digital bits (zeros and ones). Computers ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Phase-shift keying (PSK) is a digital modulation process which conveys data by changing (modulating) the phase of a constant frequency carrier wave.The modulation is accomplished by varying the sine and cosine inputs at a precise time.
When a digital signal is to be transmitted over an analogue baseband channel, the modulation technique is termed line coding. Several keying techniques exist, including phase-shift keying, frequency-shift keying, and amplitude-shift keying. Bluetooth, for example, uses phase-shift keying to exchange information between devices.
The cut-up and the closely associated fold-in are the two main techniques: Cut-up is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, TO MAKE A DADAIST ...
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.
Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier) (from "Sweet Potato Pie," Eugenia Collier)