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[1] Hayedeh released many successful albums during this time, and all her songs were bootlegged in Iran. Hayedeh's political and nostalgic songs such as "Rouzaye Roshan", "Ghesseyeh Man", "Zendegi" became very popular with the Iranian exile community. [1] Her songwriters and producers in the United States were mostly Sadegh Nojouki and Mohammad ...
Soghati (Persian: سوغاتی) is one of the most famous songs in the history of Persian pop music. Soghati, which means souvenir in Persian, was performed by Hayedeh in 1976 in Tehran. The composer of Soghati is Mohammad Heydari, the lyricist Ardalan Sarfaraz. The song was arranged for orchestra by Naser Cheshmazar.
Anoushiravan Rohani (Persian: انوشیروان روحانی; born July 24, 1939), also spelled Anooshiravan Rowhani, is an Iranian pianist and composer.He is known for composing and conducting contemporary classical music, as well as pop music with light classical leaning.
Mahasti (left) and Hayedeh, leaping over a fire at Chaharshanbe Suri.. Khadijeh Eftekhar Dadehbala was born on November 16, 1946, in Tehran, Iran. [4] She was the younger sister of Iranian singer Hayedeh. [5]
There he started composing and arranging music for Iranian pop singers, and playing the violin in the background for singers such as Moein, Hayedeh and Sattar. He released his first album, Bijan Mortazavi: Magic of His Music and His Songs , in 1990, and it became a best-seller among Persian albums that year. [ 2 ]
Ali Tajvidi (Persian: علی تجويدی; November 7, 1919 – March 15, 2006) was an Iranian musician, composer, violinist, songwriter, and music professor at the School of National Music and Tehran University. He composed more than 150 songs and discovered and produced for many Persian performers such as Delkash and Hayedeh.
Some of his nostalgic songs such as "Zahr-e Jodai" and "Bahar Bahar" (both performed by Hayedeh) became popular in the Persian community. Heyidari also has written the melody of other Persian hit songs such as Bia Benevisim and Sobhet Bekheir Azizam .
Rastorac, H. (2009) Contending with Censorship: The Underground Music Scene in Urban Iran. The McNair Scholars Journal of the University of Washington, Spring 2009, Vol. VIII, (pp. 273–296) Steward, Theresa Parvin. “I Am the Brave Hero and This Land Is Mine”: Popular Music and Youth Identity in Post-Revolutionary Iran. U of Edinburgh, 2013.