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Transatlanticism is the fourth studio album by rock band Death Cab for Cutie, released on October 7, 2003, by Barsuk Records. At this point in their career, the group had toured and recorded for nearly a half-decade.
The fourth album, Transatlanticism, reached number 97 on the Billboard 200 and was eventually certified gold in the United States. [2] [3] The group also issued nine singles and a demo tape through Barsuk. [1] In 2004, the band signed with Atlantic Records, a subsidiary of the Warner Music Group.
The 1983 album Dazzle Ships, by English electronic band Orchestral Manoeuvres in the Dark (OMD), was a major influence on the record. [ 30 ] In March 2011, Ben Gibbard performed a new Death Cab for Cutie song at a solo concert in San Francisco , which would later be revealed as the title track from Codes and Keys .
Atlanticism, also known as Transatlanticism, [1] is the ideology which advocates a close alliance between nations in Northern America (the United States and Canada) and in Europe on political, economic, and defense issues.
Transatlanticism may refer to: Transatlanticism (album) , album by Death Cab for Cutie 2003 Transatlanticism (culture) , the cultural exchange between Great Britain and the United States, as reflected in British and American literature
"The Sound of Settling" is a song by American indie rock band Death Cab for Cutie, the second single from their fourth studio album, Transatlanticism, released on December 26, 2003. The song reached number 84 on the UK Singles Chart, was featured on various movie soundtracks, and became the third song by the band to be featured on the television sho
Transatlanticism is an aspect of the relationship of British and American culture explored by some writers in American literature and British literature.Although the academic discipline of transatlantic studies is a critical framework originating the 2000s, it has been argued that transatlanticism itself is in itself a very old phenomenon, and that transatlanticism shows the tension in ...
The band's international distribution was split through several different labels, a common experience for indie groups. In the Netherlands, it was distributed by Munich Records.