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Guaguancó is the most popular and influential rumba style. It is similar to yambú in most aspects, having derived from it, [59] but it has a faster tempo. The term "guaguancó" originally referred to a narrative song style (coros de guaguancó) which emerged from the coros de clave of the late nineteenth and early twentieth centuries.
The bolero-son became for several decades the most popular rhythm for dancing in Cuba, and it was this rhythm that the international dance community picked up and taught as the wrongly named 'rumba'. The Cuban bolero was exported all over the world, and is still popular.
[14] [15] Apart from rumba flamenca, other syncretic styles of Afro-Cuban origin have been named "rumba" throughout the Iberian peninsula, outside of the context of flamenco (where the term cantes de ida y vuelta is mostly restricted), such as the Galician rumba. In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El ...
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s.
The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical education; as well as the popular styles of Rumba Urbana or "de cajón" (wooden boxes) and the Cuban Carnival Conga (music). [7]
The first regular use of the rumba clave in Cuban popular music began with the mozambique, created by Pello el Afrikan in the early 1960s. When used in popular music (such as songo, timba or Latin jazz) rumba clave can be perceived in either a 3–2 or 2–3 sequence.
With the arrival of cha-cha-chá and mambo in the United States, son also became extremely popular. After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [36]
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from ...