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The Canterbury Tales (Middle English: Tales of Caunterbury) [2] is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. [3] It is widely regarded as Chaucer's magnum opus.
The Pilgrims in The Canterbury Tales by Geoffrey Chaucer are the main characters in the framing narrative of the book. [1]In addition, they can be considered as characters of the framing narrative the Host, who travels with the pilgrims, the Canon, and the fictive Geoffrey Chaucer, the teller of the tale of Sir Thopas (who might be considered distinct from the Chaucerian narrator, who is in ...
"The Knight's Tale" (Middle English: The Knightes Tale) is the first tale from Geoffrey Chaucer's The Canterbury Tales. The Knight is described by Chaucer in the "General Prologue" as the person of highest social standing amongst the pilgrims, though his manners and clothes are unpretentious.
The Wife of Bath's Prologue is, by far, the longest in The Canterbury Tales and is twice as long as the actual story, showing the importance of the prologue to the significance of the overall tale. In the beginning, the wife expresses her views in which she believes the morals of women are not merely that they all solely desire "sovereignty ...
The Parson's Tale is included in most manuscripts of the Canterbury Tales, but owing to its position as the final tale, damage to the manuscripts has often left it incomplete. [2] The scribes who copied the tale often added marginal glosses and other ordinatio to help readers navigate the dense paragraphs of text. [2]
One question that splits critics is whether the Merchant's tale is a fabliau. [citation needed] Typically a description for a tale of carnal lust and frivolous bed-hopping, some would argue that especially the latter half of the tale, where Damyan and May have sex in the tree with the blind Januarie at the foot of the tree, represents fabliau.
The tale continues the general downward trend of the preceding tales—the Knight's, the Miller's and the Reeve's tale—into ever-more-seedy stories. Its length makes finding a source impossible, but it is thought by some scholars to be a retelling of contemporary events, with a Roger Knight de Ware being mentioned in several manuscripts of ...
It is not clear whether these are sincere declarations of remorse on Chaucer's part or a continuation of the theme of penitence from The Parson's Tale.It is not even certain if the retraction was an integral part of the Canterbury Tales or if it was the equivalent of a death bed confession which became attached to this his most popular work.