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Morrnah Nalamaku Simeona (May 19, 1913 – February 11, 1992) was recognized as a kahuna lapaʻau (healer) in Hawaiʻi and taught her updated version of hoʻoponopono throughout the United States, Asia, and Europe.
In contrast to Simeona's teachings, the book brings the new idea that the main objective of Hoʻoponopono is getting to the "zero state — it's where we have zero limits. No memories. No identity." [36]: 31 To reach this state, which Len called 'Self-I-Dentity thru Ho'oponopono', includes using the mantra, "I love you. I'm sorry.
2 New to Ho'oponopono. 2 comments. 3 Old and New Ho'oponopono. 1 comment. 4 Please don't promote businesses or blogs. 1 comment. 5 Please explain. 1 comment. 6 Early ...
The rites and prayers in the Blessing Way are concerned with healing, creation, harmony and peace. The song cycles recount the elaborate Navajo creation story (Diné Bahaneʼ). One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1]
The Queen's Prayer, or in Hawaiian Ke Aloha O Ka Haku. It was published as Liliʻuokalani's Prayer, with the Hawaiian title and English translation ("The Lord's Mercy") now commonly called "The Queen's Prayer". [35] It is a famous mele, composed by Queen Liliʻuokalani, March 22, 1895, while she was under house arrest at ʻIolani Palace.
The song inspired a line in the Sublime song "Freeway Time in LA County Jail" which reads "And I'm back on the reef/where I throw my net out into the sea/all the fine hinas come swimming to me" Alf sang the chorus in the episode “It’s My Party” (Season 4, Episode 14) of ALF (TV series)
Lil Wayne's 2010 song "6 Foot 7 Foot" (featuring Cory Gunz) from his album Tha Carter IV samples and derives its title from "Day-O (The Banana Boat Song)". [18] The Conkarah song "Banana", released in 2019 by S-Curve Records, with contributions from Shaggy, samples largely and is an adaptation of the Harry Belafonte original. [19]
The original Noble sheet music differs. It starts with a four-bar instrumental introduction (5-1, F to Bb, with the "Humuhumunukunukuapuaa" melody) and then leads into an eight-bar vocal introduction with a unique melody that is not repeated later in the song, the lyrics setting up the theme of a homesick Hawaiian sailor yearning to return to Kona.