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Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830).
The Sixty-nine Stations of the Kisokaidō (木曾街道六十九次, Kisokaidō Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige and Keisai Eisen. There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints).
The prints were very popular amongst the Japanese merchants and the middle class of the time. From the Edo period to the Meiji period (1868–1912), the technical evolution of ukiyo-e processes increased, with the accuracy of carving and printing and the vividness of colors used developing through the introduction of new printing processes and ...
Keisai Eisen, woodblock print on paper, 1830 (private collection) Items portrayed in this file depicts. creator. some value. Wikimedia username: Congha2540.
The first of the prints in the series was published jointly by the publishing houses of Hōeidō and Senkakudō, with the former handling all subsequent releases on its own. [3] Woodcuts of this style commonly sold as new for between 12 and 16 copper coins apiece, approximately the same price as a pair of straw sandals or a bowl of soup. [ 6 ]
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The Sixty-nine Stations of the Kisokaidō saw print between about 1835 and 1842, a joint production with Keisai Eisen, of which Hiroshige's share was forty-six of the seventy prints. [ 16 ] The Sixty-nine Stations of the Kisokaidō was issued jointly by Takenouchi and Iseya Rihei . [ 17 ]
Shunga by Keisai Eisen. Shunga was probably enjoyed by both men and women of all classes. Superstitions and customs surrounding shunga suggest as much; in the same way that it was considered a lucky charm against death for a samurai to carry shunga, it was considered a protection against fire in merchant warehouses and the home. From this we ...