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Contents. Black or White (Steve Harley & Cockney Rebel song) " Black or White " is a song by British rock band Steve Harley & Cockney Rebel, released on 14 November 1975 as the lead single from their fourth studio album Timeless Flight (1976). [ 1 ][ 2 ] The song was written and produced by Harley.
Black or White. " Black or White " is a song by the American singer Michael Jackson, released by Epic Records on November 11, 1991, as the first single from Jackson's eighth studio album, Dangerous (1991). Jackson wrote, composed, and produced it with Bill Bottrell. Epic Records described it as "a rock 'n' roll dance song about racial harmony".
Cord Jefferson is an American writer and director. After studying at the College of William & Mary he started a career in journalism and wrote for numerous publications before becoming an editor at Gawker until 2014. Jefferson transitioned to working as a writer for television. He wrote for the Comedy Central late-night series The Nightly Show ...
Born and Raised in Black and White. " Born and Raised in Black and White " is a song written by Don Cook and John Barlow Jarvis, [1] and originally recorded by The Highwaymen on their 1990 album Highwaymen 2. Mark Collie covered it for his 1991 album Born and Raised in Black & White, and Brooks & Dunn on their 1998 album If You See Her.
Major. Major open-tunings give a major chord with the open strings. "Slide" Open A: E-A-E-A-C ♯ -E (identical to "Open G" tuning but with every string raised one step or two frets) Used by Jimmy Page on "In My Time of Dying" and Jack White on "Seven Nation Army" and "Catch Hell Blues"".
Chord (music) In music, a chord is a group of two or more notes played simultaneously, typically consisting of a root note, a third, and a fifth. [a] Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They can be major, minor, diminished, augmented, or extended, depending on the intervals between the ...
Block chord. A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil ...
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]).