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Art historian. Father. Eduard Wölfflin. Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early ...
Elements of art are stylistic features that are included within an art piece to help the artist communicate. [1] The seven most common elements include line, shape, texture, form, space, color and value, with the additions of mark making, and materiality. [1][2] When analyzing these intentionally utilized elements, the viewer is guided towards ...
Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". [1][8] Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences.
R. G. Collingwood. Robin George Collingwood FBA (/ ˈkɒlɪŋwʊd /; 22 February 1889 – 9 January 1943) was an English philosopher, historian and archaeologist. He is best known for his philosophical works, including The Principles of Art (1938) and the posthumously published The Idea of History (1946).
The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with ...
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the ...
Theory of art. A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
The Realistic Manifesto is a key text of Constructivism. Written by Naum "Gabo" Neemia Pevzner and cosigned by his brother, Antoine Pevsner, the Manifesto laid out their theories of artistic expression in the form of five "fundamental principles" of their constructivist practice. The Manifesto focused largely on divorcing art from such ...