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G 144. [edit on Wikidata] Lise with a Parasol (French: Lise – La femme à l'ombrelle) is an oil on canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade ...
Flaming June. Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it depicts a sleeping woman in a sensuous version of his classicist Academic style. It is Leighton's most recognisable work, and is much reproduced in posters and other media.
100 cm × 81 cm (39 in × 32 in) Location. National Gallery of Art, Washington, DC. Woman with a Parasol – Madame Monet and Her Son, sometimes known as The Stroll (French: La Promenade) is an oil-on-canvas painting by Claude Monet from 1875. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period from 1871 ...
Yayoi Kusama. Yayoi Kusama (草間 彌生, Kusama Yayoi, born 22 March 1929) is a Japanese contemporary artist who works primarily in sculpture and installation, and is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism ...
[3] [8] The art critic François Thiébault-Sisson described this as evoking the morning, the young subject preparing to bathe while "light grey vapours are still floating over the lake". [9] This oil painting on canvas measures 163.8 by 216.5 centimetres (64.5 by 85.2 in), [ 10 ] and Chabas's signature is located in the lower left.
Camille, also known as The Woman in the Green Dress, is an 1866 oil-on-canvas painting by French artist Claude Monet. The portrait shows Monet's future wife, Camille Doncieux, wearing a green dress and jacket. Monet submitted the work to the Paris Salon of 1866, where it was well received by critics. The painting is held in the collection of ...
Predominant pigments in this painting are Prussian blue, cadmium yellow and ochres. [6] These beautiful, light colours perfectly embody the Impressionist ideals of the era. The drawing was made on several pieces of paper mounted on cardboard. Degas may have started with a smaller composition which he extended as he worked, requiring more paper. [7]
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts ...