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Stanphill composed more than 500 gospel songs. [16] Recordings of his composition Mansion Over the Hilltop sold more than 2 million copies, and some of his songs have been translated into other languages. [2] “Room at the Cross” is still sung and is in many hymnals. Stanphill founded Hymntime Publishers, Inc., and was the company's ...
Reverend J.M. Gates (born James M. Gates July 14, 1884 – August 18, 1945) was an American preacher who recorded sermons and gospel songs extensively between the mid-1920s and 1940s. Recording over 200 sides in his career, Gates was one of the most prolific preachers of the pre-war era, and was largely responsible for the popularity in ...
Crosby was known as the "Queen of Gospel Song Writers" [3] and as the "Mother of modern congregational singing in America", [4] with most American hymnals containing her work. [5] Her gospel songs were "paradigmatic of all revival music", [ 6 ] and Ira Sankey attributed the success of the Moody and Sankey evangelical campaigns largely to Crosby ...
Andrewes, in a 1619 Ash Wednesday sermon, emphasised that conversion "must come from both mind and heart, thought and feeling, 'the principall and most proper act of a true turning to God.'" [34] [38] Andrewes' words are channelled again, when Eliot's Simeon "sees a faith that he cannot inhabit in "the still unspeaking and unspoken Word'". [31]
Stravinsky began work on A Sermon, a Narrative and a Prayer in Hollywood in 1960, and finished it on 31 January 1961. The score is dedicated to the Swiss conductor Paul Sacher, who commissioned it—the third movement bears an additional dedication: "In memoriam the Reverend James McLane (†1960)".
As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. During the 19th century the gospel-song genre spread rapidly in Protestantism and, to a lesser but still definite extent, in Catholicism. The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which ...
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
Andraé Edward Crouch / ˈ ɑː n d r eɪ / (July 1, 1942 – January 8, 2015) was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel music professionals, [1] Crouch was known for his compositions "The Blood Will Never Lose Its Power", "My Tribute (To God Be the Glory)" and "Soon ...