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This single again topped the Indie music charts, and reached number 65 in the UK Singles Chart. [1] With the backing of the major label Polydor, Thousand Yard Stare went on to release a further three EPs, and two studio albums. Hands On and Mappamundi were both produced by Stephen Street, who had already produced records for The Smiths and Blur.
The label, theater, and studio were owned by Dave Kalmbach, who produced the sessions. [1] The band's first single was "I'm Higher Than I'm Down" backed with "That's Your Way", which appeared in May 1966 on Vark Records, the group's self-titled vanity label for Fenton. [5] [1] [3] [4] [6] "I'm Higher than I'm Down" became a hit on the local top 40.
The first aardvark fossil discovered was originally named Orycteropus gaudryi (now Amphiorycteropus) and was found in Turolian deposits on the island of Samos. [1] Since then, representatives of the order Tubulidentata have been located from the Oligocene in what is now Europe, and it is believed that the order probably originated around 65–70 million years ago or in the Paleocene.
Arthur is an anthropomorphic aardvark, who is 8 years old. [5] In Brown's first Arthur book, Arthur's Nose (1976), Arthur is shown with a long nose and more closely resembles an actual aardvark, though as the books progressed (as seen in the first season of PBS's Reading Rainbow in its 13th episode, titled "Arthur's Eyes") and eventually became an animated TV series, Arthur’s appearance changed.
Masterdisk was founded in 1973 as a spin-off of the recording, editing and mastering arm of Mercury Records. Among the company's early mastering engineers were Gilbert Kong, who worked on early 1970s albums by such artists as Rod Stewart and Bachman–Turner Overdrive, and who also mastered singles, including "Ain't Understanding Mellow" by ...
The aardvark is an African mammal, Orycteropus afer. ... Brazilian aardvark, an example of circular reporting; General Dynamics F-111 Aardvark, a military aircraft;
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Fulginiti began working in 1969 as a mailroom clerk at Elektra Records, and he advanced to assistant engineer with the 1970 Judy Collins album Whales & Nightingales. He shifted in 1971 to work at Sterling Sound in New York City as a mastering engineer.