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Fra Angelico, O.P. (/ f r ɑː æ n ˈ dʒ ɛ l ɪ k oʊ /; [1] Italian: [fra anˈdʒɛliko]; born Guido di Pietro; c. 1395 [2] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [3]
The Prado Annunciation is an altarpiece painted by the Italian Renaissance painter Giovanni da Fiesole, known as Fra Angelico, in the 1420s. It is one of his best-known works. Originally destined for the convent of the observant Dominicans of Fiesole, the painting is currently in the collection of the Museo del Prado in Madrid.
The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
Museu Nacional d'Art de Catalunya, Barcelona The Madonna of Humility is a tempera-on-wood painting by Fra Angelico , executed in 1433–1435, which belongs to the Thyssen-Bornemisza Museum in Madrid and is conserved on loan at the National Art Museum of Catalonia .
Annunciation of Cortona (1433-1434) by Fra Angelico The central painting. The Annunciation of Cortona is a panel-painting altarpiece or retable by the Italian Renaissance painter Fra Angelico: once housed in the Church of Gesù of Cortona, it is now held at the Museo Diocesano in Cortona.
The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]
Adoration of the Magi (Fra Angelico and Filippo Lippi) Annunciation (Fra Angelico, Madrid) Annunciation (Fra Angelico, San Marco) Annunciation of Cortona; Annunciation of San Giovanni Valdarno; Armadio degli Argenti
Adoration of the Magi by Fra Angelico in San Marco (c. 1441-1442) The Adoration of the Magi in San Marco is a fresco by Fra Angelico in a double cell used by Cosimo de' Medici, created c. 1441-1442. [1] The paintings in the double cell differ in some respects from Fra Angelico's frescos in others cells.