Ads
related to: sonny rollins saxophone colossus full album
Search results
Results From The WOW.Com Content Network
Saxophone Colossus is the sixth studio album by American jazz saxophonist Sonny Rollins. Perhaps Rollins's best-known album, it is often considered his breakthrough record. [4] It was recorded monophonically on June 22, 1956, with producer Bob Weinstock and engineer Rudy Van Gelder at the latter's studio in Hackensack, New Jersey.
Over and over, decade after decade, from the late seventies through the eighties and nineties, there he is, Sonny Rollins, the saxophone colossus, playing somewhere in the world, some afternoon or some eight o'clock somewhere, pursuing the combination of emotion, memory, thought, and aesthetic design with a command that allows him to achieve ...
Saxophone Colossus: Prestige 1956 Rollins Plays for Bird: Prestige 1956 Tour de Force: Prestige 1956 Sonny Boy: Prestige 1957 Sonny Rollins, Vol. 1: Blue Note: 1957 Way Out West: Contemporary: 1957 Sonny Rollins, Vol. 2: Blue Note 1957 The Sound of Sonny: Riverside: 1957 Newk's Time: Blue Note 1957 Sonny Rollins Plays (split album with Thad ...
The AllMusic review by Michael G. Nastos calls the album "a recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era.
Work Time is an album by jazz saxophonist Sonny Rollins, ... player's fans it is the equal of the epochal Saxophone Colossus ... (Sonny Rollins) – 5:00 ...
"St. Thomas" became popular when it was released on Rollins's 1956 album Saxophone Colossus, though it had been recorded by Randy Weston in 1955 under the title "Fire Down There", on his Get Happy album. On the digital encyclopedia program, Encarta, a clip of "St. Thomas" could be played as an example of Jazz music in the 'Jazz' entry [3]
The Bridge is a studio album by jazz saxophonist Sonny Rollins, recorded in 1962. [6] It was Rollins' first release following a three-year sabbatical and was his first album for RCA Victor . [ 7 ] The saxophonist was joined by the musicians with whom he recorded for the next segment of his career: Jim Hall on guitar, Bob Cranshaw on double bass ...
The reviewer for The Saxophone Symposium, a periodical of the North American Saxophone Alliance, described his "considerable time spent" with Rollins' album as "[p]robably one of my most intense recent listening experiences," [10] while Musician's Chip Stern called the album "a wondrous thing, like the peak of some inscrutable mountain parting ...