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The Saraswati Shloka (Sanskrit: सरस्वती श्लोक, romanized: Sarasvatī Śloka) is a Hindu prayer. It is traditionally chanted by a student before their commencement of studies. It is traditionally chanted by a student before their commencement of studies.
The Saraswati Vandana (Sanskrit: सरस्वती वन्दना, romanized: Sarasvatī Vandanā) is a Hindu mantra. It is addressed to the goddess Saraswati , the goddess of knowledge, music, art, speech, wisdom, and learning.
This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
Sadasiva Brahmendra (15th Century) was a saint, composer of Carnatic music and Advaita philosopher and Sishya of the great saint Shri Paramasivendra Saraswati (57th Shankaracharya of Moolamnaya Sarvajna Shri Kanchi Kamakoti Peetham), who lived near Thiruvenkadu, Tamil Nadu, during the 15th/16th century.
M. Balamuralikrishna during Rajarani Music Festival at Bhubaneswar on 19 January 2013. Balamuralikrishna was born in a Brahmin family [6] at Sankaraguptam, East Godavari District, Madras Presidency (now a part of Andhra Pradesh state). [7]
Gayatri is the manifestation of Saraswati and is often associated with Savitṛ, a solar deity in the Vedas, and her consort in the Puranas is the creator god Brahma. [ 6 ] [ 7 ] [ 8 ] Gayatri is also an epithet for the various goddesses and she is also identified as " Supreme pure consciousness ".
The Bhagvad-Gita: With Samskrit text, free translation into English, a word-for-word translation, and an introduction on Samskrit grammar. London and Benares: Theosophical Publishing Society. OCLC 463526912. (pp. xxxii-xxxiii). The Gītā Dhyānam has also been translated into Italian: Sivananda, Swami Saraswati (2005). La bhagavad gita.
Saraswati begins circumambulating him in reverence. Not wishing to keep turning his face to see her, Brahma produced faces on the sides and back of his head. Sarasvati then leapt into the sky and a fifth face emerged from Brahma, looking upwards.