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Johannes Santritter, himself being a German living in Italy, admitted that Italy was slightly ahead of Germany in the humanities. However, he also contended that many Italians were jealous of German science and technology, which he considered superior taking the examples of the printing press and the work of the astronomer Regiomontanus .
Jean-Antoine Houdon at work in his atelier, 1804, by Louis-Léopold Boilly, Musée des Arts Décoratifs, Paris.. Houdon was born in Versailles, on 20 March 1741. [2] In 1752, he entered the Académie royale de peinture et de sculpture, where he studied with René-Michel Slodtz, Jean-Baptiste Lemoyne, and Jean-Baptiste Pigalle. [3]
Consilience: The Unity of Knowledge is a 1998 book by the biologist E. O. Wilson, in which the author discusses methods that have been used to unite the sciences and might in the future unite them with the humanities.
[5] The impression may be left by the surviving works that almost all medieval art was religious. This is far from the case; though the church became very wealthy over the Middle Ages and was prepared at times to spend lavishly on art, there was also much secular art of equivalent quality which has suffered from a far higher rate of wear and ...