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Lines on the Antiquity of Microbes", also known simply as "Fleas", is a couplet commonly cited as the shortest poem ever written, composed by American poet Strickland Gillilan in the early 20th century. [1] The poem reads in full:
Archibald Randolph Ammons (February 18, 1926 – February 25, 2001) was an American poet and professor of English at Cornell University.Ammons published nearly thirty collections of poems in his lifetime. [1]
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
The first poem of Pomes Penyeach is entitled "Tilly" and represents the bonus offering of this penny-a-poem collection. (The poem was originally entitled "Cabra", after the Cabra district of Dublin where Joyce was living at the time of his mother's death.) [citation needed] The poems were initially rejected for publication by Ezra Pound. [1]
Engaging poems (and taking part in the arts generally) has practical benefit at a wider community level: A critical study by the National Endowment for the Arts found that people with longitudinal ...
Three Stories and Ten Poems is a collection of short stories and poems by Ernest Hemingway. It was privately published in 1923 in a run of 300 copies by Robert McAlmon's "Contact Publishing" in Paris. [1] The three stories are: "Up in Michigan" "Out of Season" "My Old Man" The ten poems are: "Mitraigliatrice" "Oklahoma" "Oily Weather ...
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]