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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
The Enciclopedia Dantesca, published 1970–1975 by the Istituto dell'Enciclopedia Italiana, in six volumes, under the general editorship of Umberto Bosco, is considered the reference book in Italian language about the life and works of Dante, [1] described as a "monumental" work [1] [2]
In Dante Alighieri's Divine Comedy poem Inferno, Dante says that he saw Vitaliano in the inner ring of the Seventh Circle of Hell, where the violent are eternally punished. The inner ring of the Seventh Circle is a burning hot desert with a continual rain of fire.
The Malebranche (Italian: [ˌmaleˈbraŋke]; "Evil Claws") [1] are the demons in the Inferno of Dante's Divine Comedy who guard Bolgia Five of the Eighth Circle . They figure in Cantos XXI, XXII, and XXIII. Vulgar and quarrelsome, their duty is to force the corrupt politicians to stay under the surface of a boiling lake of pitch.
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L'Inferno. L'Inferno (transl. The Hell) is a 1911 Italian silent film, loosely adapted from Inferno, the first canticle of Dante Alighieri's Divine Comedy. L'Inferno took over three years to make, and was the first full-length Italian feature film. [2] It is also one of the first films to be shown in its entirety. [3]