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The rites and prayers in the Blessing Way are concerned with healing, creation, harmony and peace. The song cycles recount the elaborate Navajo creation story (Diné Bahaneʼ). One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1]
The Dances of Universal Peace (DUP) are a spiritual practice that employs singing and dancing the sacred phrases of the world's religions. Their intention is to raise consciousness and promote peace between diverse religions according to one stated goal. [1] The DUP are of North American Sufic origin. They combine chants from many world faiths ...
Singing the Living Tradition was the first standard denominational hymnbook to include songs from Unitarians in Eastern Europe, spirituals from the African American tradition, folk and popular songs, music of major, non-Christian religious traditions, and chants and rounds gathered from the various traditions of the world.
For example, in discussing the Israeli–Palestinian conflict, U.S. President Barack Obama commented that the substantive disagreements between the parties "can't be reduced to somehow a matter of let's all hold hands and sing 'Kumbaya. ' " [16] Many other high-profile political figures have similarly referred derisively to the singing of the ...
Another song with a reportedly secret meaning is "Now Let Me Fly" [3] which references the biblical story of Ezekiel's Wheels. [4] The song talks mostly of a promised land. This song might have boosted the morale and spirit of the slaves, giving them hope that there was a place waiting that was better than where they were.
Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.
A new edition, Hymns and Spiritual Songs for the Flock of God, was published in New Zealand in 2001 by R.D. Church and E.J. Forrest through the Joseph Bywater Trust. This collection is based on the 1951 edition and gathers together many hymns from all the pre-existing collections, restoring hymns to their original wording where possible and ...
Ideally, singers will sing in such a way that their voices become united in one single voice. Originally, the Znamenny Chant was performed only by men but today, on account of the small number of people able to sing at church services and the evolution of the tradition, it is usually performed by both male and female voices. [citation needed]