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B-flat minor is traditionally a 'dark' key. [1] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer's Concertino in D major, Op. 80. [2]
The recapitulation restates the first two themes in B-flat minor. The final section of an extension to the recapitulation alternates between B-flat major and B-flat minor, leaving the tonic unclear until the coda. [1] The coda, clearly in B-flat minor, repeats two themes seen earlier in the movement. [1]
Its relative major is C-sharp major (or enharmonically D-flat major). Its parallel major, A-sharp major, is usually replaced by B-flat major, since A-sharp major's three double-sharps make it impractical to use. The enharmonic equivalent of A-sharp minor is B-flat minor, [1] which only contains five flats and is often preferable to use.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor; Subdominant – E-flat major; Dominant – F major; Submediant – G minor; Leading-tone – A diminished
B Flat notes. B ♭ (B-flat), or, in some European countries, B, is the eleventh step of the Western chromatic scale (starting from C).It lies a diatonic semitone above A and a chromatic semitone below B, [1] thus being enharmonic to A ♯, even though in some musical tunings, B ♭ will have a different sounding pitch than A ♯.
BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude) BWV 852 – Prelude and Fugue in E-flat major; BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor) BWV 854 – Prelude and Fugue in E major; BWV 855 – Prelude and Fugue in E minor