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"Across the Universe" is a song by the English rock band the Beatles. It was written by John Lennon and credited to Lennon–McCartney.The song first appeared on the 1969 various artists' charity compilation album No One's Gonna Change Our World and later, in a different form, on their 1970 album Let It Be, the group's final released studio album.
Across the Universe is a 2007 American jukebox musical romantic drama film directed by Julie Taymor, centered on songs by the Beatles.The script is based on an original story credited to Taymor, Dick Clement, and Ian La Frenais, and based on the song of the same name by Lennon–McCartney.
It is widely known by fans of the Beatles as the first release of the song "Across the Universe"; its title is adapted from one of the song's lyrics; "Nothing's gonna change my world". It was also the first release of the Hollies song "Wings", one of the last songs they recorded with Graham Nash in early 1968.
The album was released as Across the Universe (Music from the Motion Picture) by Interscope Records on September 14, 2007, debuting a 16-track album featuring half of the songs heard in the film. [2] A deluxe edition was released on October 2, 2007 featuring all the songs performed by the cast, as well as an incidental score composed by Goldenthal.
Let It Be is a cover album by the Slovenian avant-garde group Laibach.It was released in 1988 and is a cover of the Beatles' 1970 album Let It Be.It was recorded in Laibach style with military rhythms and choirs, although a few tracks deviate from this formula, most notably "Across the Universe" featuring Anja Rupel of Videosex.
Across the Universe (Korean: 비상; Hanja: 飛上; RR: Bisang) is the third mini-album by South Korean idol group D-Crunch. It was released on October 20, 2020, by Ai Grand Korea and distributed by Kakao M. Upon the expiration of the group's contract with their former agency All-S Company at the beginning of the year, D-Crunch signed with Ai ...
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Opener "Across the Universe," with its twinning of Frisell's electric guitar and Leisz's pedal steel as Scheinman's violin picks up the lyric melody and extrapolates its harmonic aspects, is indicative of the recording's M.O., offering a close examination of Lennon the composer. The interplay between the three principals is remarkable, such as ...