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As with other traditional Moroccan structures, the interior decoration includes carved stucco, sculpted and painted wood, and zellij tilework. [2] [1] The central patio/courtyard, the wast ad-dar, is thus the centerpiece of the house. The size and craftsmanship of this interior space was an indication of the status and wealth of its owners ...
Moroccan houses were inward focused, which allowed for family privacy and protection from the weather. This inward focus was expressed with a centrally placed interior garden or courtyard, and the lack of large windows on the exterior walls of rammed earth or mud brick. This design principle also found support in the social mores of Islamic ...
In some cases, international architects were recruited to design Moroccan-style buildings for major royal projects such as the Mausoleum of Mohammed V in Rabat and the massive Hassan II Mosque in Casablanca. [56] [13] The monumental new gates of the Royal Palace in Fez, built in 1969–1971, also made use of traditional Moroccan craftsmanship. [3]
[2]: 25 The Ribat of Sousse contains a small vaulted room with a mihrab (niche symbolizing the direction of prayer) which is the oldest preserved mosque or prayer hall in North Africa. Another small room in the fortress, located above the front gate, is covered by a dome supported on squinches , which is the oldest example of this construction ...
Most local inhabitants now live in modern dwellings in the village on the other side of the river, and make a living off agriculture and especially off the tourist trade. [ 3 ] [ 4 ] In 2011 a new pedestrian bridge was completed linking the old ksar with the modern village, with the aim of making the ksar more accessible and to potentially ...
Born James Henry Luksus in Chicago on January 1, 1932, Tzaims began designing feed-sack dresses for his mother on the family farm when he was 12, according to Leigh Wishner of the Fashion ...
In this context, "The iconographic power of emblematic images plays an underexplored role in the reproduction of foundational narratives about Casablanca's margins, shaping both popular and state discourses.", [18] which underscores the significance of visual representations in the ongoing dialogue between Casablanca's colonial past and its ...
The "Moorish" garden structures built at Sheringham Park in Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for ...