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Arri Alexa camera. The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21. Alexa cameras are designed to be used in feature films, television shows and ...
An estimated 500 guests from Hollywood’s cinematography community filed the DGA theater on Tuesday evening for the debut of leading motion picture camera maker ARRI’a Alexa 35, a 4K Super 35 ...
Arri: Alexa LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW) 160 - 3200 (800 native) 13.5 stops [11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV: 23.98-150 Arri: Alexa Mini LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW ...
ARRI Alexa LF and Mini LF. Converted to 3D. [62] [82] Dancing Village: The Curse Begins: 11 April 2024: ARRI Alexa LF and Mini LF. [83] Joker: Folie à Deux: 4 October 2024: ARRI Alexa IMAX, ARRI Alexa LF and Sony CineAlta Venice [62] [84] Venom: The Last Dance: 25 October 2024: ARRI Alexa LF and Mini LF. [62] [85] Captain America: Brave New ...
Arri Alexa: 2011 11-11-11: Joseph White Arri Alexa: 2011 The Wholly Family: Nicola Pecorini: Arri Alexa: 2011 Once Upon a Time in Anatolia: Gökhan Tiryaki: Sony CineAlta F35: 2011 Wild Bill: George Richmond Arri Alexa: 2011 This Is 40: Phedon Papamichael: Arri Alexa: 2011 The Girl With the Dragon Tattoo: Jeff Cronenweth: Red One MX, Red Epic ...
Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop.
The 35 mm film gauge has long been the most common gauge in professional usage, and thus enjoys the greatest number of cameras currently available for professional usage. The modern era of 35 mm cameras dates to 1972, when Arri 's Arriflex 35BL and Panavision 's original Panaflex models emerged as the first self-blimped, lightweight cameras.
Arri bayonet was a lens mount developed by Arri for use with both 16 mm and 35 mm movie camera lenses. Lenses of this type are distinguished by "outer wings" which both control aperture and bayonet alignment, and are placed in the mount while two pressure tabs are simultaneously depressed at the side of the lens mount on the camera.