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Superfluous words, particularly adjectives, should be avoided, as well as expressions like "dim lands of peace". He wrote: "It dulls the image. It mixes an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequate symbol." Poets should "go in fear of abstractions". [116]
An epithet (from Ancient Greek ἐπίθετον (epítheton) 'adjective', from ἐπίθετος (epíthetos) 'additional'), [1] also a byname, is a descriptive term (word or phrase) commonly accompanying or occurring in place of the name of a real or fictitious person, place, or thing.
Such adjective phrases can be integrated into the clause (e.g., Love dies young) or detached from the clause as a supplement (e.g., Happy to see her, I wept). Adjective phrases functioning as predicative adjuncts are typically interpreted with the subject of the main clause being the predicand of the adjunct (i.e., "I was happy to see her"). [11]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
energy level endothermic An adjective used to refer to a process or reaction in which a system absorbs energy from its surroundings, usually in the form of heat but also in the form of light, electricity, or sound. Contrast exothermic. engineering physics enthalpy entropy A quantity which describes the randomness of a substance or system ...
One canon is there, one sure way of happiness for mortals – if one can keep a cheerful spirit throughout life. [9]This precept, from one of Bacchylides' extant fragments, was considered by his modern editor, Richard Claverhouse Jebb, to be typical of the poet's temperament: "If the utterances scattered throughout the poems warrant a conjecture, Bacchylides was of placid temper; amiably ...
Clarity, logic and progression are hallmarks of this treatment of narrative in Raffel's translation, producing a satisfying impression of narrative connectedness". [29] In contrast, John Porter's 1991 translation is avowedly "literal", published by Anglo-Saxon Books in a facing-page translation to facilitate the study of the original.