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Cézanne's studio (Atelier de Cézanne) is a biographical museum about the painter Paul Cézanne, in Aix-en-Provence in Southern France. It was his studio from 1902 until his death in 1906. It was his studio from 1902 until his death in 1906.
Paul Cézanne – Cézanne's studio, Aix–en–Provence, France; Auguste Chabaud – Musée Auguste Chabaud, [8] Provence–Alpes–Côte d'Azur; Marc Chagall – Musée Marc Chagall, Nice, France, and Marc Chagall Museum, Vitebsk, Belarus; Nek Chand – Rock Garden of Chandigarh, India; Dale Chihuly – Chihuly Garden and Glass, Seattle ...
He spent two years with his unloved studies, but increasingly neglected them and preferred to devote himself to drawing exercises and writing poems. From 1859, Cézanne took evening courses at the École de dessin d'Aix-en-Provence, which was housed in the art museum of Aix, the Musée Granet. His teacher was the academic painter Joseph Gibert ...
In 1880, Paul Cézanne established an atelier in the attic. [1] He also painted the walls of the living-room. [1] Additionally, he often painted in the garden, looking out to the Montagne Sainte-Victoire from different vantage points. [1] After his father's death, he lived in the bastide with his mother. [2]
Aix-en-Provence, [a] or simply Aix, is a city and commune in southern France, about 30 km (20 mi) north of Marseille. A former capital of Provence, it is the subprefecture of the arrondissement of Aix-en-Provence, in the department of Bouches-du-Rhône, in the region of Provence-Alpes-Côte d'Azur. The population of Aix-en-Provence is ...
A painting by one of the Le Nain brothers, hung in an Aix-en-Provence museum near the artist's home, depicts card players and is widely cited as an inspiration for the works by Cézanne. [6] [7] The models for the paintings were local farmhands, some of whom worked on the Cézanne family estate, the Jas de Bouffan. [6]
It depicts Montagne Sainte-Victoire and the valley of the Arc River, with Cézanne's hometown of Aix-en-Provence in the background. Once owned by the art collectors and patrons Henry and Louisine Havemeyer, the painting was bequeathed to the Metropolitan Museum of Art in New York after the latter's death in 1929.
The subject of the painting is the Montagne Sainte-Victoire in Provence in southern France. Cézanne spent a lot of time in Aix-en-Provence at the time, and developed a special relationship with the landscape. This painting represented the Mont Sainte-Victoire seen from Montbriand in Aix-en-Provence.