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In 1981, Herbert Sumsion composed In Exile, a motet for double choir on verses 1–6, premiered at the Gloucester Cathedral. [70] The psalm was the inspiration for Leonard Cohen's "By the Rivers Dark" on his 2001 album Ten New Songs. [71] Psalm 137:5–6 is the basis for the chorus of Matisyahu's single "Jerusalem" (2006). [72]
The libretto is by Temistocle Solera, inspired by Psalm 137. The opera with its powerful chorus established Verdi as a major composer in 19th-century Italy. The full incipit is "Va, pensiero, sull'ali dorate", meaning "Go, thought, on wings of gold".
Psalm 137. A yearning for Jerusalem is expressed as well as hatred for the Holy City's enemies with sometimes violent imagery. People: Lord יהוה YHVH God.
Illustration of the weeping by the rivers of Babylon from Chludov Psalter (9th century). The song is based on the Biblical Psalm 137:1–4, a hymn expressing the lamentations of the Jewish people in exile following the Babylonian conquest of Jerusalem in 586 BC: [1] Previously the Kingdom of Israel, after being united under Kings David and Solomon, had been split in two, with the Kingdom of ...
Imprecatory Psalms, ... 59, 79, 83, 94, 137, 139 and 143 are also considered imprecatory. As an example, Psalm 69:24 states toward God, "Pour out Your indignation on ...
Psalm 136 there is Psalm 137 in the King James Bible. Van Nuffel set the psalm in 1916 for a mixed choir of four to six parts and organ (or orchestra). [1] [2] It has been called the starting point of his psalm settings. [1] The psalm was published by the Schwann Verlag (now part of Edition Peters), which published also other works of the ...
[1] [2] [3] The hymn is a closely paraphrased versification of Psalm 137, "By the rivers of Babylon", a lamentation for Jerusalem, exiled in Babylon. [1] [4] Its text and melody, Zahn No. 7663, first appeared in Strasbourg in 1525 in Wolf Köpphel's Das dritt theil Straßburger kirchenampt.
The Tikkun HaKlali consists of the following ten Psalms said in this order: 16, 32, 41, 42, 59, 77, 90, 105, 137, and 150. [2] Each recital is preceded by a paragraph expressing one's desire to bind himself to the tzadikim of all generations, especially Rebbe Nachman, and several verses which are customarily recited before any saying of Psalms.