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Slip casting, or slipcasting, is a ceramic forming technique, and is widely used in industry and by craft potters to make ceramic forms. This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. [ 1 ]
A slip is a suspension of fine raw materials powder in a liquid such as water or alcohol with small amounts of secondary materials such as dispersants, surfactants and binders. Pottery slip casting techniques employ a plaster block or flask mould. The plaster mould draws water from the poured slip to compact and form the casting at the mould ...
African red slip ware: moulded Mithras slaying the bull, 400 ± 50 AD.. A slip is a clay slurry used to produce pottery and other ceramic wares. [1] Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating ...
The first residential building of slipform construction; erected in 1950 in Västertorp, Sweden, by AB Bygging Later picture of the residential building in Västertorp. Slip forming, continuous poured, continuously formed, or slipform construction is a construction method in which concrete is placed into a form that may be in continuous motion horizontally, or incrementally raised vertically.
The solidified part is also known as a casting, which is ejected or broken out of the mold to complete the process. Casting materials are usually metals or various time setting materials that cure after mixing two or more components together; examples are epoxy, concrete, plaster and clay. Casting is most often used for making complex shapes ...
Gold is an example of a material that can be used to produce inlays/onlays. Once cast a layer of oxides are present on the surface, these can be removed by placing the restoration in an ultrasonic bath for 10 minutes. This removes the oxides along with any remnants of investment material. Possible faults at casting:
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By the eighth century, the slow wheel was being used by local craftsmen to finish pots. By the late ninth century, potters in urban areas started to mass-produce their products. A larger variety of forms were being made and decorated in new ways. During the tenth century, potters began transitioning to a fast wheel and firing pots in kilns. [1]