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The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
Lex Eisenhardt, Italian Guitar Music of the Seventeenth Century, University of Rochester Press, 2015. Lex Eisenhardt, "Bourdons as Usual". In The Lute: The Journal of the Lute Society, vol. XLVII (2007) Lex Eisenhardt, "Baroque guitar accompaniment: where is the bass". In Early Music, vol. 42, No 1 (2014) Lex Eisenhardt, "A String of Confusion"
The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home.
As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the liuto attiorbato , the French théorbe des pièces , the archlute , the German baroque lute, and the angélique (or angelica ).
Guitar tablature is not standardized and different sheet-music publishers adopt different conventions. Songbooks and guitar magazines usually include a legend setting out the convention in use. The most common form of lute tablature uses the same concept but differs in the details (e.g., it uses letters rather than numbers for frets). See above.
French lute music declined during the second part of the 16th century; however, various changes to the instrument (the increase of diapason strings, new tunings, etc.) prompted an important change in style that led, during the early Baroque, to the celebrated style brisé: broken, arpeggiated textures that influenced Johann Jakob Froberger's ...