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Digital sound and the 5.1 format were introduced in 1990, by Kodak and Optical Radiation Corporation, with releases of Days of Thunder and The Doors using the CDS (Cinema Digital Sound) format. When digital sound was applied to 35 mm release prints, with Batman Returns in 1992, the 5.1 layout was adopted. The ability to provide 5.1 sound had ...
7.1.2 and 7.1.4 immersive sound along with 5.1.2 and 5.1.4 format adds either 2 or 4 overhead speakers to enable sound objects and special effect sounds to be panned overhead for the listener. Introduced for theatrical film releases in 2012 by Dolby Laboratories under the trademark name Dolby Atmos .
DTS-ES Discrete provides 6.1 discrete channels, with a discrete, mastered and recorded (non-matrixed) center-surround channel; in home theater systems with a 7.1 configuration, the two rear-center speakers play in mono, as does other decoders like the Creative DDTS-100, a standalone 7.1 channel decoder which includes support for up to 6.1 when ...
Modern home cinema systems typically augment the audio output from a DVD player or Blu-ray player with a multi-channel power amplifier and anywhere from two speakers and a stereo power amp (for stereo sound) to a 5.1 channel amplifier and five or more surround sound speaker cabinets (with a surround sound system).
Although commonly associated with the 5.1 channel configuration, Dolby Digital allows a number of different channel selections. The options are: Dolby Digital 1/0 – Mono (center only) Dolby Digital 2/0 – 2-channel stereo (left + right), optionally carrying matrixed Dolby Surround; Dolby Digital 3/0 – 3-channel stereo (left, center, right)
A more expensive home cinema set-up might include a Blu-ray disc player, home theater PC (HTPC) computer or digital media receiver streaming devices with a 10-foot user interface, a high-definition video projector and projection screen with over 100-inch (8.3 ft; 2.5 m) diagonal screen size (or a large flatscreen HDTV), and a several-hundred ...