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Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944) Agnes Elizabeth Ernst Meyer (1887 – 1970) Pranas Morkūnas (October 9, 1900 – December 28, 1941) Clément Pansaers (May 1, 1885, – October 31, 1922)
The very word Dada is notoriously difficult to define and its origins are disputed, particularly amongst the Dadaists themselves. The Dada movement has had continuous reverberations in New York art culture and in the art world generally ever since its inception, and it was a major influence on the New York School and Pop Art. Nevertheless, any ...
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
This is a chronological list of periods in Western art history. ... Dada – 1916 – 1930, Switzerland; Proletkult – 1917 – 1925, Russia;
The International Dada Archive - at the University of Iowa has early Dada periodicals and includes online scans of publications; Dadart - includes history, bibliography, documents, and news; New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921 Archived 2022-05-19 at the Wayback Machine, Bibliothèque Kandinsky, Centre Pompidou ...
Cabaret Voltaire is the birthplace of the Dada art movement, founded in Zurich, Switzerland, in 1916. It was founded by Hugo Ball and Emmy Hennings as a cabaret intended for artistic and political purposes. Other founding members were Marcel Janco, Richard Huelsenbeck, Tristan Tzara, Sophie Taeuber-Arp and Jean Arp.
Like Dada, Merz was characterized by spontaneity and frequently made use of found objects. One of the most significant Merz artifacts constructed by Schwitters is the Merzbau, a tower-sized sculpture assembled from refuse and ephemera that occupied the inside of his apartment and existed from 1927 to 1943, when it was destroyed by a British air raid during World War II.