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Jizhou ware was known for a "tortoiseshell glaze" (玳瑁釉 dàimàoyòu), [5] [6] alone or in combination with other types of decoration. [7]The leaf and paper cut-outs were left in place, and burnt away in the kiln during firing.
Jin dynasty, iron-pigmented brown slip and cream slip wine bottle with painted boys, inscribed "Benevolence and Harmony Tavern".. Cizhou ware or Tz'u-chou ware [1] (Chinese: 磁州窯; pinyin: Cízhōu yáo; Wade–Giles: Tz'u-chou yao) is a wide range of Chinese ceramics from between the late Tang dynasty and the early Ming dynasty, [2] but especially associated with the Northern Song to Yuan ...
As defined and used by Southwestern archaeologists, a ware is "a large grouping of pottery types which has little temporal or spatial implication but consists of stylistically varied types that are similar technologically and in method of manufacture", and "a defined ware is a ceramic assemblage in which all attributes of paste composition (with the possible exception of temper) and of surface ...
The bowl thus became highly valued due to the large metal staples, which looked like a locust, and the bowl was named 'bakōhan ("large-locust clamp"). [9] Collectors became so enamored of the new art that some were accused of deliberately smashing valuable pottery so it could be repaired with the gold seams of kintsugi.
A group of over 15 kilns at the village of Qingliangsi, Baofeng County, Henan have been identified as the site manufacturing Ru ware. They were first identified in 1950, [24] and in 1977 the ceramic art historian Ye Zhemin found a sherd on the site which when analysed proved identical to a Ru ware sample in Beijing. [25]
Shiwan wares provide a contrast with more conservatively rendered Dehua efforts. Clay for the ware was provided not only from the local area, but also from distant locations that could be mixed to provide a variety of textures and desired ceramic outcomes. The range could extend from a porcelain, rivalling Dehua in purity, to a rough stoneware ...